Even though the fact that via the play Timbuktu only three dogs were adopted should be discouraging and defeating, only a small distance is sufficient that even the possibility that something like this is finally possible in the theater is reason enough to believe in its power. Because, less we forget, the theater, just like artistic performances in general, is one of those silly things such as religion or terrorism, which only make sense if deeply believed in.
Not all stories have happy endings. There are comedies but there are also tragedies. This is not either one. This is just one quite unusual love story, about the love of a homeless and his dog. And whereas the story itself may not end happily, the show offers a possibility of a completely new happy end – the possibility of adopting a dog.
Paul Auster wrote the novel Timbuktu in 1999. in America. Nine years later Montažstroj performance group is staging it in Croatia, transforming it thus from novel to monologue… a monologue for a dog on stage, spoken by an actor from the audience. Because dogs, at least in this world, can’t speak… yet. Nor in America nor in Croatia. Although maybe they’d like to. The main character of Auster’s novel Mr. Bones would certainly like to do so. That’s his wish #2 (you can only try and guess his wish #1… and, no, it’s not dog biscuits). So, although in the novel his wish stays unfulfilled, in this staging he does speak – indeed in this staging he becomes the main storyteller. Cause, although in Croatia and in America not everything is possible, in theater it most certainly is. Even that the dog speaks…
Mr. Bones speaks to us of his and his masters’ faith. Since his master is not in contact with any human beings, after he leaves this world Mr. Bones remains the only one that can tell us their story.